{"id":1208,"date":"2025-12-16T13:18:07","date_gmt":"2025-12-16T13:18:07","guid":{"rendered":"https:\/\/snow-termite-713967.hostingersite.com\/?post_type=product&#038;p=1208"},"modified":"2026-01-28T09:01:38","modified_gmt":"2026-01-28T09:01:38","slug":"qing-dynasty-auspicious-heavenly-mother-thangka-tibetan-thangka-mudui-plastic-mine-color","status":"publish","type":"product","link":"https:\/\/ksanajewelry.com\/fr\/produit\/qing-dynasty-auspicious-heavenly-mother-thangka-tibetan-thangka-mudui-plastic-mine-color\/","title":{"rendered":"QING DYNASTY AUSPICIOUS HEAVENLY MOTHER THANGKA TIBETAN THANGKA"},"content":{"rendered":"<p>Specs<\/p>\n<div id=\"ProductAccordion-collapsible_accordion_tab_VD4MKV-template--24911364358431__main-product\" class=\"collapsible__content accordion__content rte\">\n<div data-docx-has-block-data=\"false\" data-page-id=\"WPgNdQtjJox3H0xU9Xvcwrwpnfi\">\n<div class=\"ace-line ace-line old-record-id-F40ddSQWjoBtjExhxRqcuojinLg\">\n<div data-page-id=\"WPgNdQtjJox3H0xU9Xvcwrwpnfi\" data-docx-has-block-data=\"false\">\n<p class=\"ace-line ace-line old-record-id-F40ddSQWjoBtjExhxRqcuojinLg\"><b>Item Type:<\/b><br \/>\n<b>Dimensions:\u00a0<\/b>Framed Height: 23.23 in (59 cm) Width: 29.92 in (76 cm)<br \/>\n<b>Style:<\/b>\u00a0Mian Tang School<br \/>\n<b>Materials and Techniques:<\/b><br \/>\n<b>Place of Origin:\u00a0<\/b><br \/>\n<b>Period:<\/b><br \/>\n<b>Date of Manufacture:<\/b>\u00a018th Century<br \/>\n<b>Condition:<\/b><\/p>\n<p class=\"ace-line ace-line old-record-id-F40ddSQWjoBtjExhxRqcuojinLg\">Early Tibetan-style Clay Sculpture with Mineral Colors depicting the Auspicious Tara Thangka. This is a thangka depicting the auspicious Tara created using the lost art of clay sculpture with mineral colors. This technique was prevalent during the Ming and late periods, but was lost by the mid-Qing dynasty. Historical records indicate that the monasteries producing such thangkas were highly skilled and produced top-quality works. Due to the loss of this technique, detailed information about its creation process is scarce. The thangka is crafted by layering clay on a wooden board, then allowing it to dry before applying mineral colors. This technique creates a strong sense of three-dimensionality, making it visually striking. The main reason why these clay sculpture thangkas can remain intact for centuries without cracking or weathering is the composition and proportion of the clay, which includes special additives. Unfortunately, as the technique has been lost, these thangkas are rare to find. A few of them were discovered in the collection of a senior practitioner in Qinghai, with this auspicious Tara being one of them.<\/p>\n<p class=\"ace-line ace-line old-record-id-HWm9dxILxoSTqgxKKxkcYOQnnXd\">The central figure of the auspicious Tara appears in a wrathful form, with a blue complexion and two arms. She wears a crown adorned with five skulls, and her pink hair resembles flames reaching to the sky. With three eyes, she gazes fiercely, furrows her brows, and reveals sharp white teeth, emphasizing her fierce and terrifying aspect. Adorned with circular earrings and necklaces, she wields a vajra in her right hand and holds a skull cup filled with blood in her left hand. Her legs are spread apart, and her feet are bare, draped in a large cloak, with billowing sleeves fluttering in the air, as if making a rustling sound. In a commanding posture, she sits sideways on the back of a mule, galloping through the rolling sea of blood. The flames behind Tara exude a strong tension and extraordinary momentum.<\/p>\n<p class=\"ace-line ace-line old-record-id-ZHfadMH7bogzMrxgAtvcOi8Knih\">Due to the special clay sculpture technique, this thangka appears exceptionally three-dimensional and beautiful. After being remounted in a wooden frame, it can be directly hung up for display or worship, making it an excellent decorative or devotional piece.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Specs Item Type: Dimensions:\u00a0Framed Height: 23.23 in (59 cm) Width: 29.92 in (76 cm) Style:\u00a0Mian Tang School Materials and Techniques: Place of Origin:\u00a0 Period: Date of Manufacture:\u00a018th Century Condition: Early Tibetan-style Clay Sculpture with Mineral Colors depicting the Auspicious Tara Thangka. This is a thangka depicting the auspicious Tara created using the lost art of [&hellip;]<\/p>","protected":false},"featured_media":1209,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[27,28],"product_tag":[],"class_list":{"0":"post-1208","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-thangka-art","7":"product_cat-ritual-antiques","9":"first","10":"instock","11":"sale","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/product\/1208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/comments?post=1208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/media\/1209"}],"wp:attachment":[{"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/media?parent=1208"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/product_brand?post=1208"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/product_cat?post=1208"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/ksanajewelry.com\/fr\/wp-json\/wp\/v2\/product_tag?post=1208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}